Category: pet_home
Natalia is a Sydney based portrait ,fashion and beauty photographer based in Sydney floating between Paris,London and Los Angeles.Clients include Yen,Oyster,Russh,I.D,Milk and Catalogue Magazine
PET | CAP
GEORGIA FROM THE HOLE EXHIBITION
GEORGIA
MAKE LOVE TO THE WORLD
HOLE GALLERY NYC
MAKE LOVE TO THE WORLD
HOLE GALLERY NYC
Drool Live
DROOL is an audio-visual album created by Cara Stricker, Australian born multi-disciplinary artist in photography, direction and music, and John Kirby, LA Born keyboardist, producer and songwriter best known for his work as part of Sébastien Tellier, Blood Orange, Kindness and Rodriguez.
Terrible Records released the audio-visual Album internationally in June of 2015, through limited edition cassette tapes providing individualised access to the album scored film, coinciding with a video clip, live performances and instillations throughout New York.
The female embodiment of DROOL is performed by Cara Stricker (vocals, guitar, keys), and Madeline O’Moore (keys, electronica), Kate Levitt (Percussion). Various collaborating musicians are invited for live performances.
Miles (Cactus), 2014
by Natalie O’Moore
Miles (Cactus), 2014
In the American Night
Archival Pigment Print
Terrible Records | WEBSITE
Site developed for Terrible Records by Done-Digital.
“MAKE LOVE TO THE WORLD” – Cara Stricker
Cara Stricker Solo Show
“MAKE LOVE TO THE WORLD”
THE HOLE NYC, JUNE 2014
PHOTOGRAPHIC, FILM AND SOUND EXHIBITION
ARTISTS INCLUDE: : BOOTS, ROGER O’DONNELL(THE CURE), KIRIN J CALLINAN, DEV HYNES (BLOOD ORANGE), JOHN KIRBY (SEBASTIEN TELLIER, BLOOD ORANGE), ETHAN SILVERMAN (TERRIBLE RECORDS), DCM, SIBERIA RECORDS, KNOW-WAVE RADIO, ABBEY LEE, MINDY LE BROCK, DANI GRIFFITHS (CLYDE), NAOMI SHIMADA, HOLLAND BROWN AND GEORIGA PRATT.
This is an exhibition exploring the creative collective unconscious driving dreams and
fantasy towards creativity and new thought. The individual is captured within the natural
surroundings to fall back into this world and break down the physical self revealing and
inspiring the truism of the artist’s, removing the labels placed on the female or the male,
Make Love To The World’ moves between the super-real and everyday instinctual
routines whether human created or naturally spawned exploring the stigmas surrounding
male and female roles beyond the associative constructs of the human body. The
relative perspective towards physicality allows for an intuitive and communal dream-like
experience.
The exhibition explores the primitive senses that expose our magnetic relationship within
nature. In the form of interactive installation, the set-up is instrumentally individualised to
encourage the audience to embrace their innate sexuality presenting the youth –
female/male – without judgment, equal and falling back into their birth through dissolving
the boundary between surreal candid moments present the subjects as the modern
humans, relfecting components of the new technological world and its ricochet effects on
human nature.
In the form of photography, sound, video and technology, the concept overflows beyond
the physical realm, to a space of interaction, online and dual overseas happenings.
Exploring her community of creative. Making love is the by-product of extending our
human unconscious and create a birth of the new, beyond sexism, toward sex, and
forcing the eye back into natural state of being. Whether in nature or that created by our
human induced nature amongst the city and our religions, to put trust back in our human
instincts and sexuality, beyond raunchy culture to suggest freedom, and form away from
labels by breaking down the concepts of homogenized identity created by the consumer,
and hope to inspire new thought.
Photographing and collaborating with musicians and artists the conversation begins in
the fused community beyond the medium, STRICKER hopes to inspired the individual to
dream and make love to the world, through humor, the female gaze and rue less nature.
The show presents the youth, female, male, equal and falling back into their birth
whether in the mind or physically, through constructed surreal candid moments, and
look into the eye of the human creations of the city and its natural state, to allow new
thought, view our environment, and challenge any ideals set within ones constructed
world of thought.
The Kitchen – Poem by Sonja Mauro
THE KITCHEN
It was nice to have you in the kitchen And not the war torn bedroom Cursing with your eyes closed
It wasn’t about the coyotes, Obviously.
I know what’s rough, And it was mine,
And on that same day,

A girl exited swiftly through my chest And disappeared into a thin grey line
Also mine, But,
In the still moments that followed, As sky bled into sea,
I heard her whisper beneath the wind:
No, this is you. And she was gone.
So you see,
I wasn’t asking
If you thought they could see us Through the kitchen window,
Of course they saw us, They are dogs with fangs.
It was a question one asks And knows how to answer But asks anyway
Because for a man like you, She wants to love herself, And because she can’t
She leans in,
Childlike,
Like a girl who’s vanished,
And points into darkness.
The Sun Rose and Sank
1070mmX1070mm, Paint on canvas, 2016
Universal Love at Mild Manners Gallery L1, 499 Crown St Surry Hills, NSW 2010. 6-8 Thursday the 4th of Feb. Essay By Annette Ekin : UNIVERSAL LOVE – ESSAY ‘The Land is Alive’ by Anette Ekin
PET PRESENTS: PET NIGHT AT WINSOME
