IV AIDED DREAMS
CAROLINE POLACHEK & JORGE ELBRECHT

FEATURING PETRA COLLINS AND
INDIA MENUEZ

FOR MEXICAN SUMMER

by NVS

Suriname Journal

Collection of Photographs taken while in Suriname, 2014
Series 1 of Research & Documentation

In 2014, traveling back to her native Surinamese roots to establish an on-going research and documentation project exploring the core of her identity in a country made up of 90% rainforest.
Along the journey, NVS was sent into the Amazon to visit Maroon villages and to the top of Suriname at Galibi beach with the Carib Indingeous tribe on a video and photo project commissioned from Surinamese Holistic Healer, Loraine Van Tuyl, PhD.

The Suriname Journal is does not end in 2014, Nicole Van Straatum is finding ways to further discover her heritage through personal and sourced experience, photography, writings, and interviews. Series 1 is only the first chapter of Nicole’s life-long voyage of cultural, historical, and individual understanding of being a second generation Surinamese-American.

’Life, the Colour of Peach Blossom’

203mmX204mm, Paint on board, 2016

Universal Love at Mild Manners Gallery L1, 499 Crown St Surry Hills, NSW 2010. 6-8 Thursday the 4th of Feb. Essay By Annette Ekin : UNIVERSAL LOVE – ESSAY ‘The Land is Alive’ by Anette Ekin

Palisade

… coming soon

A rare Angeleno native growing up through the nooks and crannies of the culturally diverse Los Angeles artistic basin, Azul pulls inspiration from contrasts in life experiences and nature. Rhythmic melodies juxtapose abstract tribal beats , sonic back-masks, and deep grooves while finding a magical through line awash in historical soul revival. Breakout performances at the Museum of Contemporary Art Los Angeles, and FORM Arcosanti., lead Azul’s introduction to a larger audience imminent with an upcoming debut EP release and a bevy of unique live performances into 2016.

Form Festival is hosted annually at Arcosanti, seventy miles north of Phoenix & south of Sedona in Arizona’s high desert. An “urban laboratory” focused on innovative design, community, and environmental accountability, Arcosanti was built by 7000+ students since 1970, under the direction of the late visionary architect, Paolo Soleri.

FORM was founded by the Hundred Waters family in response to their experiences performing at music festivals around the globe. While most festivals amassed large audiences, the group found that any meaningful intimacy, time for collaboration, and connection to the festival’s environments were often left to the wayside. The founders envisioned something more personal, collaborative, lean, and lasting.

Visiting Arcosanti for the first time, they knew they had found the first home for such an experience.
Free-by-application, and made possible through patronage and in-kind support, a diverse community of creators is empowered to participate in FORM without financial barriers. Instead, participants are invited for their creativity, thoughtfulness, and intention. The program includes performances, discussions, workshops, installations, technologies and activities that:

My curated animated collection of my illustrations for Onomie, a skincare brand that uses natural ingredients and is inspired by women in the science world.

A rare Angeleno native growing up through the nooks and crannies of the culturally diverse Los Angeles artistic basin, Azul pulls inspiration from contrasts in life experiences and nature. Rhythmic melodies juxtapose abstract tribal beats , sonic back-masks, and deep grooves while finding a magical through line awash in historical soul revival. Breakout performances at the Museum of Contemporary Art Los Angeles, and FORM Arcosanti., lead Azul’s introduction to a larger audience imminent with an upcoming debut EP release and a bevy of unique live performances into 2016.

STRICKER is an Australian multi­ disciplinary Director, Photographer and Music Producer currently residing in Los Angeles and New York. Growing up in Australia whilst training as a Dancer and Musician throughout her adolescence, Stricker moved into studying film and photography at UTS Sydney, graduating in 2010 with a degree in Film and Bachelor of Arts.

Cara’s works have been published internationally including Nowness, Interview Magazine, Dazed and Confused, Vogue, I­D Magazine, NYT, 25 Magazine, Oyster Magazine, Fader, VS Magazine, Riot of Perfume, Russh Magazine and Rolling Stone, while collaborations include Chanel, Missoni, Mother NY, Alexander Wang, Parkwood Entertainment, See Pictures & Sol Films, Terrible Records, Debbie Harry, XL Records, Matte Projects, MiLK, GAP, Fools Gold, Vogue, EMI, Siberia Records and Modular Records.

Her work has been awarded and screened internationally including Vivid Festival Australia,Colarado Flexiff International Festival, Sydney International Animation Festival, Indie Spirit Film

Festival and Sugar Mountain Festival, including music performances as of late off her debut audio visual album produced with John Kirby self titled, DROOL, released on Terrible Records. Her most recent shows exhibited at the Hole NYC the last two consecutive years, including visual sound collaborations with Boots, Roger O’Donnell (the Cure). Throughout the past year, Stricker travelled and performed in Australia, LA and New York City.

CARASTRICKER.COM
DROOLING.CO
@CARASTRICKER