Category: pet_home
DROOL mix by Cara Sticker
gif by vince mckelvie
Louise Chen

Half Taiwanese-half french and currently based in Paris, Louise Chen founded the Girls Girls Girls night at Social Club in 2012 inviting acts like Kelela, Sampha, Jackmaster, Moxie, Ikonika, Lil Silva, etc. always aiming to bring together live performers and club culture. After a 5 year run, she now promotes Summer Parties under the pun-name “Chentertainement”, so far inviting prestigious guests Methodman & Redman to perform live! Parallel to her promoter job, Louise has always written about music and travel in magazines like Modzik, I Heart Magazine, Snatch Magazine and she’s had the chance to host a segment on France’s national Mouv’ Radio on Laura Leishman’s night show and later talk music on French TV shows Clique and Le Before du Grand Journal on Canal+.
Originally starting off as a hip-hop and R&B DJ, Louise has grown up with sampling culture and been a crate-digger for a long time. Her endless quest looking for soul, funk, disco and jazz has led her to build her own sound when playing House inspired by acts like Theo Parrish and Floating Points. Today she brings her records to online radios around the world (The Lot Radio, Le Mellotron, NTS, Hotel Radio Paris…) DJs alongside acts like Santigold, Jamie XX, Solange Knowles, Ellen Alien & Bambounou and works on digital content projects with brands like Airbnb, Beats By Dre & H&M.
DROOL ALBUM LAUNCH THE HOLE NYC 2015

DROOL is an audio-visual album created by Cara Stricker, Australian born multi-disciplinary artist in photography, direction and music, and John Kirby, LA Born keyboardist, producer and songwriter best known for his work as part of Sébastien Tellier, Blood Orange, Kindness and Rodriguez.
Terrible Records released the audio-visual Album internationally in June of 2015, through limited edition cassette tapes providing individualised access to the album scored film, coinciding with a video clip, live performances and instillations throughout New York.
The female embodiment of DROOL is performed by Cara Stricker (vocals, guitar, keys), and Madeline O’Moore (keys, electronica), Kate Levitt (Percussion). Various collaborating musicians are invited for live performances.
MIXCLOUD HIGHSNOBIETY SOUNDS
gif by vince mckelvie
Sonja Mauro
SONJA MAURO is a New York / Los Angeles-based actress and performance artist.
She is a member of the New York theater company, On The Road, founded by the Alice Spivak.
She has worked opposite Vincent Piazza, Josh Ostrovsky, Jonathan Sollis, and Ismael Cruz.
Sonja is a graduate of Eugene Lang College, a division of The New School in New York, where she studied creative writing.
She has developed several performance pieces based on the concept of The Character, In Character, or as the Self-Characterized.
Planted by the Mind

1070mmX1070mm, Paint on canvas, 2016
Universal Love at Mild Manners Gallery L1, 499 Crown St Surry Hills, NSW 2010. 6-8
Thursday the 4th of Feb.
Essay By Annette Ekin : UNIVERSAL LOVE – ESSAY ‘The Land is Alive’ by Anette Ekin
Pet at Tenants
Cara Stricker Richard Prince – REAPPORIATION AND GENDER REPRESENTATION
original post from Richard Prince repost, exhibited at Gagosian.




THIS ESSAY WAS WRITTEN IN RESPONSE TO MY IMAGE AND INSTAGRAM BEING EXHIBITED AND SOLD AS BEHALF OF RICHARD PRINCE’S “NEW PORTRAITS” EXHIBITION AT THE GARGOSIAN GALLERY IN NYC.
IT WAS FIRST PUBLISHED IN ALL DAY EVERY DAY
IS WHAT WE ARE CREATING TODAY A RE-APPROPRIATION OF EVERYTHING BEFORE IT?
IT’S NOT ABOUT BREAKING THE RULES OR ‘FREE THE NIPPLE’, IT’S ABOUT HOW INSTAGRAM, FACEBOOK AND OTHER SOCIAL MEDIA HAVE ENABLED OUR ADDICTION TO COMMUNICATING WHILE QUIETLY TAKING OVER THE COPYRIGHT. YOUR LATEST EXHIBITION IS PERFECTLY THIS: RE-APPROPRIATING SOCIAL MEDIA AND ITS APPROPRIATION OF OUR COPYRIGHT.
EVERY TIME WE USE INSTAGRAM OR FACEBOOK WE SIGN A WAIVER GIVING PERMISSION TO SELL OUR IMAGES, AND YOU HAVE BOTH EXPLOITED AND UNDERMINED THIS. I SUPPORT THIS COMMENTARY: NO ONE OWNS AN IDEA, AND YOUR WORKS STATE THIS IN BOLD. YOU GIVE NO EXPLANATION, ONLY AN INFRINGEMENT NOTICE:
“WHERE IN PLACE OF THE TYPICAL GALLERY EXPLANATION TO PROVIDE ANALYSIS OF THE SHOW, THERE IS ISSUED SIMPLY THE COMMENT, ‘ALL IMAGES ARE SUBJECT TO COPYRIGHT. GALLERY APPROVAL MUST BE GRANTED PRIOR TO REPRODUCTION.’”
AND THE WAY FORWARD: OUR GENERATION ACCEPTS APPROPRIATION AND BORROWING FROM ALL PASTS BECAUSE WE ACCEPT A FUTURE OF UNITY. “THE YES GENERATION”… HOW ELSE COULD WE MOVE FORWARD EXCEPT THROUGH THIS ACCEPTANCE AND THE FREEDOM IT GIVES US?
I CAN TAKE MY TOP OFF IN A NEW YORK GALLERY, IT IS LEGAL — ALTHOUGH IT’S DEFINITELY DIFFICULT TO FOCUS ON THAT AT THE SAME TIME AS TAKING A SELFIE OF A PORTRAIT OF A ‘SELFIE’ INTENDED FOR INSTAGRAM. WE WAVE OUR RIGHT TO PRIVACY, SOMETIMES WITHOUT REALIZING, SOMETIMES VOLUNTARILY, SO WHAT IS OUR IDEAL PLATFORM? THE ONLINE SPACE IS A NEW SORT OF PALETTE FOR ARTISTS TO OFFER NEW PERSPECTIVES ON VOICE AND FREEDOM. ACCEPT AND BROADEN THE PLATFORM. CELEBRATE FELLOW ARTISTS AND LIVE AGAINST THE GRAIN.
TODAY I RECEIVED AN EMAIL ABOUT RE-APPROPRIATION — THAT WORKING WITH YOUR PEERS AND RE-APPROPRIATING YOURSELF WAS SIMPLY A MARKETING TOOL. IT MADE ME WANT TO RUN OUT THE WINDOW! I SEE OUR GENERATION AND OUR FIGHT FOR EQUALITY IN ALL THINGS AS EXACTLY THE OPPOSITE OF THIS. WE SHOULD BE PUSHING AGAINST ALL BOUNDARIES, WHETHER INDUSTRY, GENDER, OR OTHERWISE. COLLABORATION AND STANDING ON THE SHOULDERS OF GIANTS, USING THE WAY THE WORLD AND INDUSTRY ARE SET UP IN ORDER TO CHANGE BOTH, CAN ONLY BE FRUITFUL AND A WAY TO FIND AND GIVE FREEDOM.
I BELIEVE IN ACTIVE WOMEN WHO TAKE CHARGE TO HEAL, LISTEN TO AND LOVE ONE ANOTHER, AND MEN WHOM DO THE SAME, SUPPORTING EACH OTHER AND RESPECTING ONE ANOTHER ON AN EQUAL PLANE OF THOUGHT AND LIFE. INSTINCT SHOULD BE OUR GOAL, SO THAT THE ULTIMATE VERSION OF OURSELVES, WHOMEVER WE END UP BEING, THRIVES.
I HOPE PEOPLE CONTINUE TO USE THE TOOLS OF TODAY, TO SAY WHAT THEY WOULD LIKE TO SAY AND SEE, ALLOWING THIS TO BE A PLATFORM FOR ART AND ALTERNATE VOICES, FREE OF JUDGMENT. YOU COMMENT ON A GENERATION WHO PHOTOGRAPH THEMSELVES AND FOCUS IN ON WHAT THEY WANT TO SEE. I SEE THIS BEHAVIOR AS THE ULTIMATE CONFIDENCE IN THE INDIVIDUAL, EVEN IF WE ARE SUBJECT TO COPYRIGHT, AND PERHAPS THIS IS OUR LESSON OF ACCEPTANCE. YOUR ART WRAPS THE COVER OF POP MAGAZINE, FLOWS THROUGHOUT THE GAGOSIAN AND IS CONSTANTLY BEING REWORKED, RE-APPROPRIATED, AND RE-CURATED ON INSTAGRAM. META!
THIS TYPE OF RAW, INSTINCTUAL REFLECTION OF THE WORLD’S WORKINGS ALLOWS PEOPLE TO REFLECT AND WORK TOWARDS BEING COMFORTABLE WITH WHAT THEY HAVE BEEN GIVEN, ALLOWING THEM TO THRIVE IN WHATEVER WAY THEY WILL. TAKING PHOTOGRAPHS OF NATURAL, RAW, SENSUAL IMAGERY ALLOWS US ALL TO SEE WHAT IS REAL, AND BE OK WITH THIS AS BOTH A FORM OF COMMUNICATION AND OF SEXUALITY. OUR PERCEPTIONS OF WHAT WE SHOULD LIKE AND BE LIKE ARE CONSTANTLY CHANGING. WE SHAPE OUR PERCEPTION THROUGH VOICE AND CHOICE, AND THROUGH RE-APPROPRIATION, WHICH SHOULD BE, ON ALL FRONTS, ACCEPTED.
THIS IS WHY WE LOVE YOU, RICHARD PRINCE: FOR STATING THE OBVIOUS. BUT THEN AGAIN, WE DON’T GET COMMISSION .
CARA STRICKER, 2014
Music Video | Handful of Gold
Illustration – Abbey Lee

by Abbey Lee