Tag: Cara Stricker

STRICKER is an Australian multi­ disciplinary Director, Photographer and Music Producer currently residing in Los Angeles and New York. Growing up in Australia whilst training as a Dancer and Musician throughout her adolescence, Stricker moved into studying film and photography at UTS Sydney, graduating in 2010 with a degree in Film and Bachelor of Arts.

Cara’s works have been published internationally including Nowness, Interview Magazine, Dazed and Confused, Vogue, I­D Magazine, NYT, 25 Magazine, Oyster Magazine, Fader, VS Magazine, Riot of Perfume, Russh Magazine and Rolling Stone, while collaborations include Chanel, Missoni, Mother NY, Alexander Wang, Parkwood Entertainment, See Pictures & Sol Films, Terrible Records, Debbie Harry, XL Records, Matte Projects, MiLK, GAP, Fools Gold, Vogue, EMI, Siberia Records and Modular Records.

Her work has been awarded and screened internationally including Vivid Festival Australia,Colarado Flexiff International Festival, Sydney International Animation Festival, Indie Spirit Film

Festival and Sugar Mountain Festival, including music performances as of late off her debut audio visual album produced with John Kirby self titled, DROOL, released on Terrible Records. Her most recent shows exhibited at the Hole NYC the last two consecutive years, including visual sound collaborations with Boots, Roger O’Donnell (the Cure). Throughout the past year, Stricker travelled and performed in Australia, LA and New York City.

CARASTRICKER.COM
DROOLING.CO
@CARASTRICKER

DROOL is an audio-visual album created by Cara Stricker, Australian born multi- disciplinary artist in photography, direction and music, and John Kirby, LA Born keyboardist, producer and songwriter best known for his work as part of Sébastien Tellier, Blood Orange, Kindness and Rodriguez.

Terrible Records released the audio-visual Album internationally in June of 2015, through limited edition cassette tapes providing individualised access to the album scored film, coinciding with a video clip, live performances and instillations throughout New York.

The female embodiment of DROOL is performed by Cara Stricker (vocals, guitar, keys), and Madeline O’Moore (keys, electronica), Kate Levitt (Percussion). Various collaborating musicians are invited for live performances.

Pet Presents at National Sawdust
August 11 2016

The inaugural launch, the first in a six series showcase, featured live performances by BEAU, AZUL, MAROT and SONJA, and an interactive VR experience with Tilt Brush.

Dana Marcolina
shot by Cara Stricker

Cara Stricker Solo Show
“MAKE LOVE TO THE WORLD”
THE HOLE NYC, JUNE 2014
PHOTOGRAPHIC, FILM AND SOUND EXHIBITION

ARTISTS INCLUDE: : BOOTS, ROGER O’DONNELL(THE CURE), KIRIN J CALLINAN, DEV HYNES (BLOOD ORANGE), JOHN KIRBY (SEBASTIEN TELLIER, BLOOD ORANGE), ETHAN SILVERMAN (TERRIBLE RECORDS), DCM, SIBERIA RECORDS, KNOW-WAVE RADIO, ABBEY LEE, MINDY LE BROCK, DANI GRIFFITHS (CLYDE), NAOMI SHIMADA, HOLLAND BROWN AND GEORIGA PRATT.

This is an exhibition exploring the creative collective unconscious driving dreams and

fantasy towards creativity and new thought. The individual is captured within the natural
surroundings to fall back into this world and break down the physical self revealing and
inspiring the truism of the artist’s, removing the labels placed on the female or the male,

Make Love To The World’ moves between the super-real and everyday instinctual
routines whether human created or naturally spawned exploring the stigmas surrounding
male and female roles beyond the associative constructs of the human body. The
relative perspective towards physicality allows for an intuitive and communal dream-like
experience.

The exhibition explores the primitive senses that expose our magnetic relationship within
nature. In the form of interactive installation, the set-up is instrumentally individualised to
encourage the audience to embrace their innate sexuality presenting the youth –
female/male – without judgment, equal and falling back into their birth through dissolving
the boundary between surreal candid moments present the subjects as the modern
humans, relfecting components of the new technological world and its ricochet effects on
human nature.

In the form of photography, sound, video and technology, the concept overflows beyond
the physical realm, to a space of interaction, online and dual overseas happenings.
Exploring her community of creative. Making love is the by-product of extending our
human unconscious and create a birth of the new, beyond sexism, toward sex, and
forcing the eye back into natural state of being. Whether in nature or that created by our
human induced nature amongst the city and our religions, to put trust back in our human
instincts and sexuality, beyond raunchy culture to suggest freedom, and form away from
labels by breaking down the concepts of homogenized identity created by the consumer,
and hope to inspire new thought.

Photographing and collaborating with musicians and artists the conversation begins in
the fused community beyond the medium, STRICKER hopes to inspired the individual to
dream and make love to the world, through humor, the female gaze and rue less nature.

The show presents the youth, female, male, equal and falling back into their birth
whether in the mind or physically, through constructed surreal candid moments, and
look into the eye of the human creations of the city and its natural state, to allow new
thought, view our environment, and challenge any ideals set within ones constructed
world of thought.

STRICKER is an Australian multi­ disciplinary Director, Photographer and Music Producer currently residing in Los Angeles and New York. Growing up in Australia whilst training as a Dancer and Musician throughout her adolescence, Stricker moved into studying film and photography at UTS Sydney, graduating in 2010 with a degree in Film and Bachelor of Arts.

Cara’s works have been published internationally including Nowness, Interview Magazine, Dazed and Confused, Vogue, I­D Magazine, NYT, 25 Magazine, Oyster Magazine, Fader, VS Magazine, Riot of Perfume, Russh Magazine and Rolling Stone, while collaborations include Chanel, Missoni, Mother NY, Alexander Wang, Parkwood Entertainment, See Pictures & Sol Films, Terrible Records, Debbie Harry, XL Records, Matte Projects, MiLK, GAP, Fools Gold, Vogue, EMI, Siberia Records and Modular Records.

Her work has been awarded and screened internationally including Vivid Festival Australia,Colarado Flexiff International Festival, Sydney International Animation Festival, Indie Spirit Film

Festival and Sugar Mountain Festival, including music performances as of late off her debut audio visual album produced with John Kirby self titled, DROOL, released on Terrible Records. Her most recent shows exhibited at the Hole NYC the last two consecutive years, including visual sound collaborations with Boots, Roger O’Donnell (the Cure). Throughout the past year, Stricker travelled and performed in Australia, LA and New York City.

Carastricker.com

Drooling.co

@carastricker

RUSSH MAGAZINE
WITH JULIA NOBIS

THE BROOKLYN HANGER, NYC, NOVEMBER 2015

CURATED BY MATTE PROJECTS

VORTEXTUAL, SMOKE AND LIGHT INSTILLATION, THE PHYSICAL EXPERIENCE OF DROOL.

ARTISTS INCLUDE: GESAFFELSTEIN, JON HOPKINS, JESPER JUST, NATE BROWN, TOKI SERIES, VIRGIL ABLOW, ZACH WALKER

DROOL

AUDIO VISUAL ALBUM

TERRIBLE RECORDS

DROOL introduces a new music series which offers an intimate exploration of the collaborative process between artists.

The audio-visual album created by Cara Stricker and John Kirby, LA Born keyboardist, producer and songwriter best known for his work as part of Sébastien Tellier, Blood Orange, Kindness and Rodriguez.

The 11 track Album is be available through custom cassettes and digital international release. Upon purchase of the custom cassette, an individualised love note allows access to download and view the 40-minute film and album at
www.drooling.co.

A natural progression from the previous collaboration between Cara Stricker and John Kirby, ‘ Make Love to the World’, DROOL’s music seeks to examine sex as a concept of experiential utopia, rather than the form in which it exists in humanity, isolated.

It’s a dream-like space where you can experience a very open-minded way of living without the boundaries that our logical world has placed on us, exploring the conversation of universal consciousness, beyond sexism, toward sex, equality and unity.

Stricker and Kirby have lived, created and experienced their evolving art, performing a collaborative piece at New York Fashion Week and Sugar Mountain Festival in Australia and side shows alongside artists Connan Mockasin, Ariel Pink, Swans, and Kim Gordon.

DROOL is performed by Cara with a legion of female tranquility. Stricker performs with instrumentalists Madeline O’Moore, Margot, Kate Silver and Sonja Mauro. The sound lends itself to instinct and intuition, capturing the delicate sensual nature and expression of this project coming to be.

The Album launch in New York, took place amongst an instillation and performances at The Hole, Elvis Guest House, Babies alright, and Max Fish, with select performances across LA, and Aus.

PREMIER

SUGAR MOUNTAIN FESTIVAL,

AUSTRALIA, 2015

THE MUSIC 

OYSTER MAGAZINE

INTERVIEW MAGAZINE

 

DROOL is an audio-visual album created by Cara Stricker, Australian born multi- disciplinary artist in photography, direction and music, and John Kirby, LA Born keyboardist, producer and songwriter best known for his work as part of Sébastien Tellier, Blood Orange, Kindness and Rodriguez.

Terrible Records released the audio-visual Album internationally in June of 2015, through limited edition cassette tapes providing individualised access to the album scored film, coinciding with a video clip, live performances and instillations throughout New York.

The female embodiment of DROOL is performed by Cara Stricker (vocals, guitar, keys), and Madeline O’Moore (keys, electronica), Kate Levitt (Percussion). Various collaborating musicians are invited for live performances.

gif by vince mckelvie