Lorin Angelica Doctor is an actor, writer, and producer who currently resides in Los Angeles. She studied theatre at NYU Tisch and moved to Los Angeles to pursue a career in film. Whether it’s film, theater, or tv, she is inspired to make work that propels people to think outside of themselves and “get uncomfortable.”

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http://www.lorindoctor.com/

Kate is a musician, artist, and show promoter who lives at the Red Light District in Far Rockaway, Queens. Kate has toured nationally and internationally playing drums for bands such as the Dan Deacon Ensemble and Teeth Mountain. She was also part of the Wham City art collective in Baltimore, MD.

Kate’s experimental solo work is dominated by percussion, and frequently uses both found sounds and more typical instruments to create beats. She is also heavily influenced by spirituality and religious chanting is thematic across her portfolio.

LIZZY SANFORD is a director, producer and writer. After only two years of work in the film
industry, her award winning short films have premiered at SXSW, Cannes and several other film festivals.

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After a year of living off the grid in Marfa, TX, artist Charlotte Fassler — former visual editor and producer at Man Repeller — is officially partnering with long time creative collaborator Dani Girdwood — protégé of director Reed Morano. Girdwood is coming fresh off of THE HANDMAID’S TALE and associate producing Morano’s most recent film I THINK WE’RE ALONE NOW, starring Elle Fanning and Peter Dinklage.

Uniting under the moniker, SIMILAR BUT DIFFERENT, the NY based directing duo is known for their work where art meets branding —

Together they’ve shot in London, Paris, Miami, Hong Kong, Ho Chi Min, Jakarta, and Singapore in partnership with their fashion clients. Their fashion film AYAHUASCA, AZ for luxury brand Malone Souliers premiered at London Fashion Week in February to high praise and acclaim. Their recent commercial for TUMI premiered at this years Tribeca Film Festival. Their most recent work includes music videos for Mainland // 300 Entertainment and for Banners // Island Records.

Jedda-Daisy Culley is an artist with a rich creative pedigree. Her father is Stephen Culley, an artist who, in the 1970s, formed iconic Desert Designs, an Australian textile print and lifestyle label founded with indigenous artist Jimmy Pike. The Culley family home became a creative hub where artists would often drop by and visit. As a child, Jedda-Daisy couldn’t imagine growing up and becoming anything but an artist, and took her future aspirations very seriously. ‘I would set up studios, working away at different drawings, paintings and sculptures for hours,’ she reminisces. This childhood fascination did not waver, and as a grown up Jedda-Daisy now works on her various creative projects from a studio in Sydney’s Surry Hills.

In her high school years, Jedda-Daisy went to study in Western Australia on an art scholarship, then onto COFA to complete a Master of Fine Arts. She’s been painting since she can remember, but things got a bit more serious when she graduated and began to exhibit her work. Her latest show Universal Love at Mild Manners, and includes a collection of vibrant expressive paintings inspired by the Australian landscape.

Alongside her art practice, Jedda-Daisy also co-directs Desert Designs, the brand that her father and Jimmy Pike started many decades ago. She says her involvement with the brand and its history with indigenous arts and culture has given her a deeper understanding of native Australian landscapes, inspiring her own practice.

‘I have been privileged to learn something of the intricacies of the desert landscape and the particularities of Aboriginal cosmology – the wisdom in how they view landscape in this county,’ Jedda-Daisy explains. ‘Jimmy’s visual archive has been a touchstone for me to enter this world and deepen my own practice and understanding of landscape.’

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http://jeddadaisyculley.net/

Margot is a singer, composer and classically trained violinist. She can be found in New York City singing dreamy love songs and composing for orchestras and films. Margot released her debut single Isn’t She Lovely in November of 2015. She is 1/2 of the band, The Dolls, who recently opened up for Katy Perry on the Asia leg of her Prismatic World Tour. Margot has also written and recorded string arrangements for Beyonce, Lady Gaga, Low and Sam Sparro; her string work featured on the 50 Shades of Grey trailer, and composed an original piece for the The Horseman trailer.

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WWW.CALLMEMARGOT.COM

“You’ve probably heard the old adage that good art is the ability to take two seemingly unrelated concepts and show how they intersect. If this cliche is believed then it goes a long way toward explaining the artistic talent of Los Angeles based Creative Producer, Meagan Judkins (meaganjudkins.com).

Within minutes of stepping foot on her first set as a teenager, Meagan had realized her path.  For over ten years she has garnered a reputation for seeking out the strange, the beautiful and meaningful. She has helmed countless sets, always pushing herself and her creatives toward new paths of character driven storytelling paired with thought-provoking visuals.

Meagan started her Production company,  Fox and Leopard, in early 2016 with the continued intention of developing projects + Creatives that entice minds and push society in a forward motion.  Having lived within the worlds of fashion photography and commercial production, the last few years she has poised herself as a film producer;  her company’s independently produced feature film will make it’s public debut in early 2018.

A product of a schizophrenic upbringing, Meagan oscillated between cultural extremes: A conservative Mormon mother from Berkeley, an agnostic father from Seattle, and a Jewish Brazilian stepmother whose career in art and fashion served as a template for a young girl living a stone’s throw from the beehive itself, Brigham Young University. A sort of “army brat”, her father’s work took her from the mountains of Utah to Washington D.C., from Brazil to Paraguay, and finally to L.A., where she took root on her own before the age of 18. Meagan’s travels have exposed her to a myriad of people and communities, refining her love of diplomacy and creating a keen ability to connect and relate with a slew of different characters, a skill that motivates and exhilarates her today.

 

A disjointed upbringing can set a fire under a person, instilling in them a sort of permanent traveler status – an ability to feel at home in the strange, and see the strangeness of home. This unique point of view is the ethos of Meagan’s work.”

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