Natalie O’Moore is a portrait and fashion photographer currently based in Los Angeles.

Upon graduating in 2013 from New York University’s Gallatin School of Individualized Studies with a BFA in Photography and Modern Art, Natalie moved to Los Angeles to pursue personal photographic projects. She is interested in the legacy of American road trip photography, self-portraiture, and the ability to create a feminine language through imagery.

SEE MORE OF HER WORK
www.natalieomoore.com
@nomoore

After a year of living off the grid in Marfa, TX, artist Charlotte Fassler — former visual editor and producer at Man Repeller — is officially partnering with long time creative collaborator Dani Girdwood — protégé of director Reed Morano. Girdwood is coming fresh off of THE HANDMAID’S TALE and associate producing Morano’s most recent film I THINK WE’RE ALONE NOW, starring Elle Fanning and Peter Dinklage.

Uniting under the moniker, SIMILAR BUT DIFFERENT, the NY based directing duo is known for their work where art meets branding —

Together they’ve shot in London, Paris, Miami, Hong Kong, Ho Chi Min, Jakarta, and Singapore in partnership with their fashion clients. Their fashion film AYAHUASCA, AZ for luxury brand Malone Souliers premiered at London Fashion Week in February to high praise and acclaim. Their recent commercial for TUMI premiered at this years Tribeca Film Festival. Their most recent work includes music videos for Mainland // 300 Entertainment and for Banners // Island Records.

LIZZY SANFORD is a director, producer and writer. After only two years of work in the film
industry, her award winning short films have premiered at SXSW, Cannes and several other film festivals.

SEE MORE OF HER WORK
lizzysanford.fyi

Kate is a musician, artist, and show promoter who lives at the Red Light District in Far Rockaway, Queens. Kate has toured nationally and internationally playing drums for bands such as the Dan Deacon Ensemble and Teeth Mountain. She was also part of the Wham City art collective in Baltimore, MD.

Kate’s experimental solo work is dominated by percussion, and frequently uses both found sounds and more typical instruments to create beats. She is also heavily influenced by spirituality and religious chanting is thematic across her portfolio.

Half Taiwanese-half french and currently based in Paris, Louise Chen founded the Girls Girls Girls night at Social Club in 2012 inviting acts like Kelela, Sampha, Jackmaster, Moxie, Ikonika, Lil Silva, etc. always aiming to bring together live performers and club culture. After a 5 year run, she now promotes Summer Parties under the pun-name “Chentertainement”, so far inviting prestigious guests Methodman & Redman to perform live! Parallel to her promoter job, Louise has always written about music and travel in magazines like Modzik, I Heart Magazine, Snatch Magazine and she’s had the chance to host a segment on France’s national Mouv’ Radio on Laura Leishman’s night show and later talk music on French TV shows Clique and Le Before du Grand Journal on Canal+.

Originally starting off as a hip-hop and R&B DJ, Louise has grown up with sampling culture and been a crate-digger for a long time. Her endless quest looking for soul, funk, disco and jazz has led her to build her own sound when playing House inspired by acts like Theo Parrish and Floating Points. Today she brings her records to online radios around the world (The Lot Radio, Le Mellotron, NTS, Hotel Radio Paris…) DJs alongside acts like Santigold, Jamie XX, Solange Knowles, Ellen Alien & Bambounou and works on digital content projects with brands like Airbnb, Beats By Dre & H&M.

SEE MORE OF HER WORK
gggirlsgirlsgirls.com

Margot is a singer, composer and classically trained violinist. She can be found in New York City singing dreamy love songs and composing for orchestras and films. Margot released her debut single Isn’t She Lovely in November of 2015. She is 1/2 of the band, The Dolls, who recently opened up for Katy Perry on the Asia leg of her Prismatic World Tour. Margot has also written and recorded string arrangements for Beyonce, Lady Gaga, Low and Sam Sparro; her string work featured on the 50 Shades of Grey trailer, and composed an original piece for the The Horseman trailer.

SEE MORE OF HER WORK
WWW.CALLMEMARGOT.COM

 Natalia is part of the founding artistic team of National Sawdust, as well as is a founding board member. She began working with composer Paola Prestini as part of the VisionIntoArt creative team, helping produce performances nationally and internationally, with residencies at the Park Avenue Armory and MASS MoCA, before joining the National Sawdust team two years before its opening in 2015, helping develop the artistic vision for the new space. She has since left the team to curate independently.

Besides continuing her one-off performances, Natalia regularly produces Michael Leviton’s monthly series “The Tell”. She produces & curates “The Selkie Series” – an annual summer series featuring critically-acclaimed female performance artists, musicians, and visual artists all under thirty, which launched summer 2016 in collaboration with Pet. She produces & co-curates “Solid Jackson” with composer and musician Spencer Zahn which features unreleased songs by today’s most recognizable vocalists in a series of one off performances with the industry’s most creative & active musicians.

She also curates and produces “The Playthrough Series” with the NYU Game Center, which focuses on playthrough performances and immersive experiences of video games. It launched with critically acclaimed “Journey“.

She has worked on special performances with artists such as Kimbra, Yuka Honda, Kelsey Lu, Psychic Twin, Chairlift, Cuddle Magic, Deva Mahal, Aerial East, Corinne Bailey Rae, Daughter, Sophia Brous, Autre New Veut, Austin Wintory, Cole Ramstad, We In Cloudz, and more.

She has been published in Time Out New York, worked as Assistant to the Director under Jonathan Bank at the Mint Theatre, and in the development department of the National Theatre of Ireland, The Abbey Theatre, while living in Dublin.

Dana Marcolina is an actor currently based in Los Angeles. A graduate from Pace University’s School of Performing Arts. She has performed on many stages throughout New York City such as La MaMa E.T.C, Movement Research at The Judson Church and Theater Row. She also spent time studying and performing in London at the Royal Academy for Dramatic Art. She is deeply inspired by collaborative work and is passionate about exploring inventive means of storytelling.

Jedda-Daisy Culley is an artist with a rich creative pedigree. Her father is Stephen Culley, an artist who, in the 1970s, formed iconic Desert Designs, an Australian textile print and lifestyle label founded with indigenous artist Jimmy Pike. The Culley family home became a creative hub where artists would often drop by and visit. As a child, Jedda-Daisy couldn’t imagine growing up and becoming anything but an artist, and took her future aspirations very seriously. ‘I would set up studios, working away at different drawings, paintings and sculptures for hours,’ she reminisces. This childhood fascination did not waver, and as a grown up Jedda-Daisy now works on her various creative projects from a studio in Sydney’s Surry Hills.

In her high school years, Jedda-Daisy went to study in Western Australia on an art scholarship, then onto COFA to complete a Master of Fine Arts. She’s been painting since she can remember, but things got a bit more serious when she graduated and began to exhibit her work. Her latest show Universal Love at Mild Manners, and includes a collection of vibrant expressive paintings inspired by the Australian landscape.

Alongside her art practice, Jedda-Daisy also co-directs Desert Designs, the brand that her father and Jimmy Pike started many decades ago. She says her involvement with the brand and its history with indigenous arts and culture has given her a deeper understanding of native Australian landscapes, inspiring her own practice.

‘I have been privileged to learn something of the intricacies of the desert landscape and the particularities of Aboriginal cosmology – the wisdom in how they view landscape in this county,’ Jedda-Daisy explains. ‘Jimmy’s visual archive has been a touchstone for me to enter this world and deepen my own practice and understanding of landscape.’

SEE MORE OF HER WORK
http://jeddadaisyculley.net/